Vol 12 [2021] — Kokeshi

The passing of techniques from master to apprentice.

Subtle changes in eye shape, head attachment, and floral motifs. kokeshi vol 12

In this article, we explore the significance of the twelfth volume in the Kokeshi canon, the regional styles it highlights, and why this specific era of production remains a focal point for global collectors. The Origin of the Kokeshi Spirit The passing of techniques from master to apprentice

Originating in the Tohoku region during the mid-Edo period (1603–1868), Kokeshi were initially carved by kiji-shi (woodworkers) to be sold as toys to tourists visiting the local hot springs. By the time the research and catalogs associated with "Volume 12" were being compiled, the craft had evolved into a sophisticated art form with eleven distinct traditional schools (or strains ). Why Volume 12 Matters The Origin of the Kokeshi Spirit Originating in

While there are many sub-styles, Kokeshi Vol. 12 focuses heavily on the classic lineages that define the craft's soul. 1. The Naruko Style

Hailing from Fukushima, these dolls feature smaller heads and bodies decorated with "Janome" (bullseye) patterns. The artistry in Vol. 12 showcases the incredible steady-hand required to paint these perfect concentric circles on a spinning lathe. 3. The Yajiro Style

Often called the "Rainbow Kokeshi," the Yajiro style is distinguished by the colorful rings painted on the top of the doll's head, resembling a beret or hat.